Tuesday, September 24, 2013

Steve Kossack visits Denali National Park at just the right time to join the 30 percent club

Steve Kossack recently treated his wife, Sandra, and himself to a 5-week exploration of Alaska's wild side with the emphasis on Denali National Park. "Not since my 45 RPM record collection dominated my life during the 50's and 60's have I been as interested in gathering information and experiencing a subject in as much detail as I now give to our National Parks system. The parks and the landscapes they present were the reason I returned to school in the 80's to learn the art of photography, but I had no idea I would spend so much time in them.



The green of the tundra is dark and light absorbing. The non-reflective effect would have been intensified by a polarizer with heightened contrast. I did consider using my warming polarizer but achieved better results by using the combination of the Singh-Ray Color Intensifier and 4-stop soft-step ND Grad. Denali Mountain is so grand in scope that scale is most difficult to show. This image was taken only 28 miles from the mountain's base. The McKinley River is visible in the foreground.


"A decade ago I was in Alaska. Yes, it was on my 'someday' list of places that I really never considered possible. I did some incredible things on that brief visit. I saw the bears salmon fishing in the falls at Brooks Camp, but in the few days we allotted for travel to Denali National Park the weather was our enemy and we never got there, let alone saw the mountain! Since then I've always prefaced the thought of a return visit with the sentence 'I'd like to spend an entire summer there next time!'

"The summer of 2013 became 'Our Alaskan Adventure.' For over a month we were on the road. Starting out from Las Vegas, NV, to Glacier National Park. We covered Banff and Jasper, two beautiful units of the Parks Canada system. Across beautiful British Columbia and the Yukon we did sightseeing in Dawson Creek and Whitehorse. We rode the world-famous White Pass and Yukon railroad to Skagway AK and braved the highways north that become worse the further we went. If you think the Mississippi is a big river you need to experience the Yukon River! In the end we covered over 8,500 miles of road even though we took the Alaska state ferry system from Haines, AK, though the inside passage all the way back to Washington state!

"There were highlights each day and places of incredible beauty in every location. However the centerpiece of the trip from inception to completion was Denali, the area as a whole, the mountain in particular and the park. Founded in 1916, Denali Park was actually the first park added to the system after the National Park Service was instituted the year before. Until 1972 when the George Parks Highway was built between Anchorage and Fairbanks, the Alaska Highway known originally as the ALCAN, was the route to Denali. You left the Alaskan Highway at the Denali junction and traversed a gravel road across the tundra for over 120 miles to reach the park, thus heightening the wilderness experience considerably. Today this route is still passable in summer and I highly recommend it.

"Denali was established as a wildlife preserve but soon suffered the consequences of its vast and breathtaking vistas. Since its founding in 1915, the population of Alaska has increased 5 fold, but it's not the locals that have invaded nearly as much as the tourists. A 90-mile park road was built almost immediately and in the 30's the fighting started over what form the park would take in its approach to visitors. The first 16 miles were paved before a halt was granted and today this stretch is open to private vehicles with the rest being left only to the park's system of school-type buses.



A plant called fireweed is almost everywhere in the Alaskan interior. It's difficult not to let it become a cliché when setting up an image. I found myself all too often looking for it before even considering content elsewhere! In this image along the trail however I used it to show contrast of color at "noon o'clock" which can be as much as 10 hours on a cloudless day. The polarizing effect of the Singh-Ray ColorCombo filter helped just slightly to cut some of the haze brought about by the abnormally high temps. The saturated earth tone colors of both the fireweed and tundra that I knew would be produced with this filter had me reaching for it almost before I dropped the tripod!


"For the park visitor there is something called the 30 percent club -- based on the fact that 70 percent of those visitors to the park never get to see the actual mountain! At 20,320 ft. this mammoth peak, which is just a part of the Alaska Range, makes its own weather and is usually obscured partly or completely by clouds. With the park entrance being in a canyon setting and far from the mountain itself you must first enter and then drive or shuttle some 9 miles into the park to get your first glimpse. One evening covering the public portion of the park road looking for wildlife, I could have sold tickets to look at the mountain through the viewfinder of my 500 lens. Deceptive as it was, a white dot on a jagged horizon, even folks with high powered binoculars were hard pressed to find the mountain from 70 miles away under quickly changing conditions. The vistas are that grand!



"Trees that grow in the permafrost (at least 2 years constantly frozen ground) are smaller and only reach a fraction of the size of those not in permafrost. Thus, it is easy to tell which is which and they not only make a clearing in the open tundra but provide interest in formation. In this image, a polarizer again was out of the question with the constantly solid blue of the cloudless sky. Instead the problem of non-contrast mid-day light was solved by increasing the exposure a full stop and using a 3-stop soft-step ND grad. 


"Of the 6 days and 5 nights spent in the park, our visibility of Mt. McKinley -- or Denali as most now refer to it  --  was more like 95%. In mid-Summer first direct light is about 4 AM and seems to last for hours. In the evenings good light starts about 9:30 PM with sunset around 11:45 PM. Mid-day provides the opportunity for stronger compositions and the clouds seem to come and go quickly, or stay in one shape or another for hours on end! After a few days of this uncommon experience, at least that is what the locals told me, I still found myself unable to look away from the mountain. I did not need to photograph continually, but I never stopped looking for the next opportunity!



On the way to the reflection pond, while gaining altitude the tundra became more reflective and needed help from my LB Warming Polarizer which in turn cut down on the cold blue sky shadows. Since contrast was needed and the dividing line straight I used a 3-stop hard-step ND grad which provided a little more clarity of the mountain and darkened the foothills.


"I have a wicker basket here at home that's full of official National Park maps. It started a long time ago when I worked ski resorts and began collecting trail maps of mountains I'd skied. The rules for inclusion are the same. A map, and only the official NPS map, may be placed in this -place of honor- if I have personally visited the park. In recent years I have taken to the custom of stamping my NPS Passport at every visitor center and also stamping the park map designating the date and place. Even though there are only 52 parks that carry the designation of National Park, there are now hundreds in my collection. Multiple visits dictate multiple maps! Of the 52 units I'm now only a dozen or so short of my goal to grab them all.

"In terms of its layout and feel, Denali National Park itself has everything I'd always imagined. This may be the only park where the vehicle is not king. A preserve of peace and tranquility. The interpretive exhibits honor some of my longtime heroes such as Charles Sheldon, the Kantishna native (the small former mining community at the end of the park road) whose vision it was in the first place for this preserve and later park. It seems that in the case of almost every one of our national parks there has been one person central to its creation. In other places, well placed exhibits pay homage to Adolph Murie, whose study and dedication to wildlife have preserved many species and saved the road from being paved and opened. At Wonder Lake, Ansel Adams and his story of the making of his famous photo of Mt. McKinley, Alaska, 1948, are displayed.

"In the heart of the Alaskan wilderness, it all felt like coming home!

"Denali National Park is very unique and different. Photography is not easily done there. If you are a professional you can enter the lottery system and if selected, you will be allowed to use a private vehicle on the park roads. Only the first 15 miles of Route.  90 are open to private vehicles. in order to achieve successful photographic results it takes both camping (the only way you can stay in the park) and hiking. I'm putting together a small group for next summer. If you have an interest in joining us, please contact me as soon as possible."

Steve will be giving us more reports from his Alaska trip soon. You can find out more about Steve's upcoming workshops, his travels and photography by visiting his website.

Tuesday, January 22, 2013

For veteran photographer Steve Kossack, an unexpected chance to visit Hawaii proves to be a lifetime experience



"The wonderful thing about life is that we never know!" says landscape photographer Steve Kossack. "We create this crazy illusion that we control our lives, yet when I think about it, I realize how little is planned and how much is serendipity. In my quest to see and photograph in all the National Parks, I find myself still twenty-one parks short. Out of the fifty-eight locations that carry the N.P. designation, I've now visited thirty-seven.

"The Hawaiian Islands is about the last place I expected to have any chance to visit. My little rule has been that if I can't drive there, I don't need to go there! However it was easy to break that rule when the opportunity presented itself. Since I had never envisioned myself there, I had no preconceived ideas about what it would be like, other than I certainly wanted to see the two National Parks.

"Booking a pre-dawn flight to Maui and picking up a rental car, I was atop the crater at Haleakala National Park by 10 am. A long switchback drive up the mountain was punctuated by heavy vehicle traffic coming down the mountain. The crater rim is just above 10,000 feet and of course I started from sea level. I'd often been told that sunrise was exquisite and I planned on photographing one, but I'd missed it this first morning and arrived at an almost empty visitor center parking lot. I was greeted inside by a lone park ranger behind a small desk. 'Welcome to The House Of The Sun' was the greeting. 'That's what the word Haleakala means,' he continued. I was quickly off and running. The view of the crater from the window (above) made me want to leap through it!



"Headlong, I plunged three miles down into the Haleakala crater. The trails were deceptive in the same way the distances, scale and scope were to photograph. As a tourist on foot I was overwhelmed and began to mostly document what I saw. Everywhere I stepped there was evidence of volcanic upheaval. The silence was deafening in effect. I could easily see how explosive this place must have been. Noise and heat. Steam and flame! But today it was cold and sometimes damp. I let the clouds substitute for steam. I was afloat in space and time. The rock foreground gave the feeling of a barrier separating safety from the unknown of the inner crater. The three miles back out was proof that I was hiking an inverted mountain. It took twice as long to get out as it did to go in. As I rested often, I was amazed at how much the scale changed. With the blue sky making cold shadows, I used the LB Warming Polarizer and two-stop soft-step ND Grad to hold detail in the clouds.






"Pre-dawn set-up is simply a circus. A deserted park during the day becomes a Disney-like carnival well before first light. People arrive as early as 4 AM and the park rangers become parking lot attendants stacking cars in deep rows in the dark. People coming from the tropical warmth down below were unprepared for the cool air and wrapped themselves in towels and blankets. They took on the look of pilgrims stumbling to the rim for sunrise. Within moments after the main event that is sunrise, the reverse happens. As soon as enough people return and untangle enough vehicles to move, it starts what looks like a line of ants descending down the mountain. I was fortunate enough to experience two sunrises both at around 30 degrees F. I got the feeling that no two mornings would be the same here. I'd like to spend considerable time finding out if this is correct! Made on different mornings, the lead image (top) was taken with a 4-stop hard step ND Grad and this heart stopping one was made with a ColorCombo and 3-stop soft-step ND Grad. It was like flying without an airplane!

"The rain forests were something I was not prepared for. They give direct and immediate meaning to the phrase, 'you can't see the forest for the trees!' The clutter and disarray was at once both beautiful and daunting. Finding detail everywhere made the seemingly easy job of composition almost impossible. The deeper I went into the forests, the more difficult it got. I set this task aside until the end of every shoot in hopes the answer would appear. I thought of Ansel Adams as he described his affinity for Southwestern landscapes that were naked and exposed rather than here where they were camouflaged everywhere. There was simply too much of everything. My answer was to step back! Starting at the base of this waterfall was fun but cluttered. Climbing to a vantage point above proved more productive but it felt sterile in the sense that it looked for all the world like every ad photo in the magazines I saw on the flight coming over.

"Photographically, it presented big problems. In the gentle but constant breeze, I realized that all the surrounding foliage was moving and would be impossible to stop. Even if it were possible, it would look like a hand grenade had gone off! My answer was a great new tool from Singh-Ray. The 10-Stop Mor-Slo Neutral Density filter. Quick and easy to use, I took note of the existing shutter speed, placed the filter on the lens and added 10 stops of exposure time to my shutter setting... and fired! The light gathered during the 50-second exposure produced the glow. Note that NOTHING in this image is sharp!

"My best solution for the chaos of the rainforests was to go wide and low angle. This afforded the feel of being engulfed and surrounded, as I was in reality. The overhead canopy was even more engaging than the dense growth on the floor but it was very difficult to find lines that didn't intersect or deep shadow that did not hide important detail.

"This dilemma eventually led me to choose my Canon 17mm Tllt/Shift lens and many different exposure combinations. As I always do in this situation, I made two exposures of each shot -- one for the shadows and the other for highlights -- just in case a composite was necessary. In the end I was successful with a 4-stop soft-step ND Grad. I took care to block both the reflection and reflected light from behind using my filter pouch just behind the filter and above the lens. This is a lesson I've learned when using this extremely wide angle lens with my ND Grads.


"On the 'Big Island' of Hawaii, the renowned volcanoes of Kilauea and Mauna Loa are found in Hawaii Volcanoes National Park. This is a small park in comparison and is just off the main highway that circles the island. Unlike most of our national parks that feature driving as the main way to see the highlights, this park has only a small area available to the automobile. Since its eruption of 2008, the Kilauea crater road is only partially open. Instead the many foot trails in the park provide different views and access to the different areas. The thrill of emerging from deep rainforest on the sheer cliff edges of craters and then back again was most inspiring and at the same time almost impossible to photograph! Here at sunset, the phenomena that sees the rainforest getting over 200 inches of rain because of the volcano became the story. To tell it, I found myself behind the old Volcano House Hotel, which was closed for renovation, making the area quiet and deserted. Knowing that Mark Twain (of Tom Sawyer and Huckleberry Finn fame), wrote of this very same location in his novel Roughing It, made me even more aware of the history here. I came very close to just watching this lovely sunset. Photographing it almost interrupted the event. I used my Color Intensifier and 3-stop Reverse ND Grad since the brightest area was just above the horizon.

"I found myself constantly trying to tell the story of both the rainforest and the active craters. Here at Kilauea lki Crater, you can witness a cooling lava lake with steam vents and the fountain eruption location from 2004 visible from the rainforest on the rim and then travel by foot trail down to the lake itself. Although this area gets high foot traffic, it still seemed as if I were alone most of the time. As in all our great parks, I'm always taken by the expressions of joy and wonder as I pass visitors. Here I was tempted to ask strangers if they could take a picture of me before they could ask the same of me!

"This last image called for using my ColorCombo to cut the glare off the foliage and saturate the greens.

"Experiencing these two national parks far outweighed the photography. I'll need much more time and many trips to begin to know what images I should capture, as well as how to capture the best images of these wondrous parks. I'm happy to leave this matter for another time. On this trip, being there was everything. I had to remind myself constantly that I was actually there. In many ways it now seems like some sort of south pacific dream. The warm trade winds with the glow of the setting sun still remain. To the Islands and its people I say a warm Mahalo and Aloha."

You can always get more information about Steve's photography, travels and upcoming workshops by visiting his website.